Preface

TO RESEARCH, SHARE, COMMUNICATE, STIMULATE A DIALOGUE, EXCHANGE KNOWLEDGE AND EXPERIENCES IN
ARCHITECTURE, URBAN DESIGN AND PLANNING WITH HISTORICAL PERSPECTIVES AND TO CREATE A FOLLOWING OF READERS
THAT WILL CONTRIBUTE TO THE PUBLICATION AND FORMULATE OPINIONS IN A VARIETY OF TOPICS IN THE FIELD




Industrial Revolution

Although we face unique urban problems in our day, many of the strengths and weaknesses of our present cities have been inherited directly from the nineteenth century.

The impact of the Industrial Revolution marked an entirely novel relationship between Western man and the organization of his cities, cities whose urban complex was composed of elements related within the context rules and a code practiced by inhabitant and planner alike. The urban system's relationship with the social systems (political power, learning, economy and religion) asserted itself upon the average citizen and thus integrated him into the structure of a given society.


In a given town, the urban order might have related the position of an individual's house to the cathedral and at the same time individualized him within a community along the ribbon of the street. This urban plan was a direct projection of the objectives of clergy, feudal lord or merchant guild.

This urban order was shattered by the radical transformation brought about by the Industrial Revolution. It was accompanied by a spontaneous and unprecedented urbanization overflowing the walls of Europe's ancient towns and the forming of new agglomerations, which not only changed the spatial organization which existed, but also the mentality of the city dweller himself.

The city dweller was unable to assimilate this dramatic urban revolution for he was now confronted with a spatial order devoid of its traditional richness of meaning, an organization derived solely from the economic cause of high demographic concentrations due to a capitalist-industrial production.





In 1845, Friedrich Engels published The Condition of the Working Class in England, in which he describes the conditions existing in Manchester, as a result of the Industrial Revolution. Following is an excerpt of that work:
"Every great city has one or more slums, where the working-class is crowded together. True, poverty often dwells in hidden alleys close to the palaces of the rich; but, in general, a separate territory has been assigned to it, where, removed from the sight of the happier classes, it may struggle along as it can. These slums are pretty equally arranged in all the great towns of England, the worst houses in the worst quarters of the towns; usually one or two-storied cottages in long rows, perhaps with cellars used as dwellings, almost always irregularly built. These houses of three or four rooms and a kitchen form, throughout England, some parts of London excepted the general dwellings of the working-class. The streets are generally unpaved, rough, dirty, filled with vegetable and animal refuse, without sewers or gutters but supplied with foul, stagnant pools instead. Moreover, ventilation is impeded by the bad, confused method of building of the whole quarter, and since many human beings here live crowded into a small space, the atmosphere that prevails in these working-men's quarters may readily be imagined. Further, the streets serve as drying grounds in fine weather; lines stretched across from house to house, and hung with wet clothing"

Leonidov

Leonidov
1929 – Design for the Columbus monument in Santo Domingo

Leonidov


Wikipedia article
Model of Lenin Institute, 1927

Ivan Ilich Léonidov (born Fe­bru­ary 9, 1902, Tver Oblast -1959, No­vem­ber 6, Moscow) was a Russian constructivist architect, urban planner, painter and teacher.

Contents

Early life

Ivan Léo­ni­dov was rai­sed on an iso­la­ted farms­tead in the pro­vince of Tver Oblast. The son of a far­mer and woods­man, he went to work as a ca­sual la­bou­rer at the docks in Petrograd. When an icon pain­ter no­ti­ced Léonidov's drawing skills, he be­came his app­ren­tice.

Career

In 1919 Léo­ni­dov at­ten­ded the Svomas free art stu­dios in Tver. From 1921-27 he stu­died at the VKhUTEMAS in Moscow under the tu­te­lage of Alexander Vesnin at which point his at­ten­tion swit­ched from pain­ting to ar­chi­tec­ture. His un­e­xe­cu­ted di­ploma pro­ject in 1927 for the Lenin In­sti­tute and Li­brary, Moscow, brought him in­ter­na­tio­nal re­co­gni­tion. The scheme was pro­minently dis­played at the Ex­hi­bi­tion of Con­tem­porary Ar­chi­tec­ture, Moscow, and was pu­blis­hed in the OSA Group jour­nal So­v­re­men­naya ark­hi­tek­tura. He then went on to teach at the VKhUTEMAS bet­ween 1928-30. From 1931-33 he worked in the Gi­pro­gor and Moss­ovet and from 1934-41 he joi­ned the stu­dio of Moisei Ginzburg at the People's Com­mis­sa­riat for heavy in­dus­try.

Leonidov's only ma­te­ria­li­zed de­sign was the 1938 stair­case in Kislovodsk (1940 pho­to­graphs: overview, theater stairs, terrace stairs).

Works (Selected)

Commisariat for Heavy Industry in Red Square, 1934
  • 1926 – Design for Izvestia printworks in Moscow (VKhUTEMAS studio with Alexander Vesnin)
  • 1927 – Thesis (diploma) Lenin Institute and Library in Moscow (unexecuted)
  • 1928 – Competition entry for the building of the Centrosojuz in Moscow
  • 1928 – Club of the New Social Type. Variant B [1]
  • 1929 – Design for the Columbus monument in Santo Domingo
  • 1929–1930 – Competition entry for the House of Industry in Moscow
  • 1930 – Competition entry for the culture palace of the proletarian district in Moscow
  • 1930 – Competition entry for the socialist city Magnitogorsk (director/conductor of a group of students of the VChUTEIN)
  • 1934 – Competition entry for the Narkomtiazhprom building (The People's Commissariat for heavy industry in Moscow), Red Square, Moscow.
  • 1937–1938 – Outside staircase in the Ordzonikidze sanatorium in Kislovodsk
  • 1937–1941 – Pioneer palace in Kalinin (Tver)
  • 1950s – Sketch drafts for the »sun city« and the seat of the United Nations

References

  • Cooke, Catherine, (et al.) (1990). Architectural Drawings of the Russian Avant-Garde. The Museum of Modern Art. ISBN ISBN 0-87070-556-3.
  • Meriggi, Maurizio, (et al.) (2007). Una città possibile. Architetture di Ivan Leonidov 1926-1934. Electa. ISBN ISBN 88-370-5445-9.
  • De Magistris, Alessandro, (et al.) (2009). Ivan Leonidov 1902-1959. Electa.


This section is licensed under the Creative Commons Attribution-Share-Alike License 3.0. It uses material from the Wikipedia article «Ivan Leonidov» (as at 10/03/2012). A list of authors

Futurist

Futurist